ArchivesSpace at the University of Iowa

Williams writes in his forward, "The fables - on the right-hand pages of the book - came first. Only gradually, after several exhibitions of these far-fetched fictions, did I come to realize that there was at least an iota, a jot or a tittle of truth - and sometimes a big blob of reality - in each and everyone one of them. And here, for the first time, the documentation appears opposite the collages themselves...on the left hand pages, opposite each of the cartoons, are enlightening documents from the author's personal archive relating some of the unlikely things that really happened in Performance Art 'show biz' over the years." -- Source of annotation: Marvin or Ruth Sackner.

Russell Radzinski edited the catalogue and contributed an introductory essay "Art/Power/Works and the Approach to Conceptual Art." For the exhibition Emmett Williams presented a new version of his Alphabet Symphony. It was conducted by his wife Ann Noel. -- Source of annotation: Marvin or Ruth Sackner.

The verso of the card is Steen's offset poem "the poem begins here." The message from Steen to Williams deals with the time of arrival in New York from a Copenhagen flight. -- Source of annotation: Marvin or Ruth Sackner.

The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

The page by Ann Noel resembles the "I" painting held by the Sackner Archive. No two I's are typographically repeated in this work. -- Source of annotation: Marvin or Ruth Sackner.

This was an exhibition of Ranier Verlag's publications 1966-1989. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. Jurgen Olbrich added a collage. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. The Sackner Archive holds another copy with an appended collage by Jurgen Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Rollman. The works in this exhibition all related to cows' milk, mothers' milk and milk machines. This 2nd edition is an abridged version of the catalogue pulished in 1994. -- Source of annotation: Marvin or Ruth Sackner.

The dust jacket was designed by Ay-O. The text is based upon personal reminiscences and correspondence from friends of Maciunas gathered by Emmett Williams and Ann Noel. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Ann Noel box. -- Source of annotation: Marvin or Ruth Sackner.

Emmet Williams writes in the forward, "Over the years, the artist [Ann Noel] accumulated a "vocabulary" of images printed from the inked ends of thousands of [wine] corks. The prints of the cork ends resemble wood cut prints in texture. For each print in the present selection, four enlarged cork images in different colours were superimposed over one another into a colored. background." -- Source of annotation: Marvin or Ruth Sackner.